Let them eat tennis balls

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Paul Stephenson’s debut collection ‘Hard Drive’ was published by Carcanet in summer 2023 and was shortlisted for the Polari First Book Prize.
Let them eat tennis balls

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Paul Stephenson’s debut collection ‘Hard Drive’ was published by Carcanet in summer 2023 and was shortlisted for the Polari First Book Prize.
I’ve been overdoing it of late

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Paul Stephenson’s debut collection ‘Hard Drive’ was published by Carcanet in summer 2023 and was shortlisted for the Polari First Book Prize.
Poets and their Darlings



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Paul Stephenson has three pamphlets: Those People (Smith/Doorstop, 2015), The Days that Followed Paris (HappenStance, 2016) and Selfie with Waterlilies (Paper Swans Press, 2017). His debut collection Hard Drive was published by Carcanet in summer 2023. Website: paulstep.com / Instagram: paulstep456 / X: @stephenson_pj
Reservation, Granada (The Song of Indecision)


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Paul Stephenson has three pamphlets: Those People (Smith/Doorstop, 2015), The Days that Followed Paris (HappenStance, 2016) and Selfie with Waterlilies (Paper Swans Press, 2017). His debut collection Hard Drive was published by Carcanet in summer 2023. Website: paulstep.com / Instagram: paulstep456 / X: @stephenson_pj
Ludo’s Legs

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Paul Stephenson has three pamphlets: Those People (Smith/Doorstop, 2015), The Days that Followed Paris (HappenStance, 2016), written after the November 2015 terrorist attacks; and Selfie with Waterlilies (Paper Swans Press, 2017). He curates Poetry in Aldeburgh. His debut collection Hard Drive was published by Carcanet in summer 2023. Website: paulstep.com / Instagram: paulstep456 / Twitter: @stephenson_pj

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Paul Stephenson has three pamphlets: Those People (Smith/Doorstop, 2015), The Days that Followed Paris (HappenStance, 2016), written after the November 2015 terrorist attacks; and Selfie with Waterlilies (Paper Swans Press, 2017). He curates Poetry in Aldeburgh. His debut collection Hard Drive was published by Carcanet in summer 2023.
Our featured publication for July and August is Hard Drive by Paul Stephenson, published by Carcanet.
When his partner suddenly died, life changed utterly for Paul Stephenson. Hard Drive is the outcome of his revisiting a world he thought he knew, but which had been upended. In poems that are affectionate, self-examining, sometimes funny and often surprised by grief in the oddest corners, the poet takes us through rooms, routines, and rituals of bereavement, the memory of love, a shared life and separation. A noted formalist, with a flair for pattern and procedural writing, Stephenson has written a remarkable first book, moving and, despite everything, a hopeful record of a gay relationship. It is also a landmark elegy collection.
‘This is a heart-stopping debut of real emotional force and poetic intelligence. Paul Stephenson approaches the elegy through a kaleidoscopic, inventive, and genuinely moving use of form. The disorientating world of grief is captured with a blade-like precision, and yet Hard Drive is also full of hard-won light. Stephenson looks death in the eyes, and holds his nerve like few others.‘ Seán Hewitt
‘Like Douglas Dunn’s Elegies, Hard Drive is a masterpiece of love and grief. A brilliant and innovative formal poet, Paul Stephenson here applies his great gifts, with heart-breaking clarity and bravery, to the most unfaceable of subjects. The result is poetry of great impact and generosity which, by looking unblinkingly at every aspect of grief, allows us to know our own. The collection is a beautiful hymn to the human capacity for love and, like all great poetry, makes us feel less alone.‘ Jonathan Edwards
‘Paul Stephenson’s debut collection is a wonder. He engages with the subject of grief with wit, intelligence and tenderness – and has imbued so much life and colour into the memory of someone who has passed. This is poetry for anyone who has ever lost someone. Warm and touching, this is poetry that celebrates and mourns those deep connections that we make in life.‘ Niall Campbell
‘Bereavement is the saddest club to which to belong, the saddest territory to annexe. No one is ever prepared for stepping through this portal of loss. These meticulous and attuned poems spare neither reader nor the poet, nor should they. This collection is a stoic and grounded narrative telling of deep-rooted love and loss, of witness and grief. Grief is cast here as praise and loving appraisal upon the death of a life partner. With mordant and exact wit, with compassion and insight, this poet turns a wry and observing eye and sensibility upon regions of fathomless loss. Formally varied, adept in their imaginal reach, the poems honour life at every juncture, even as they mourn a life and a world thrown into sharp focus by the pitiless light shed by death. Equipoise is achieved throughout between personal and official dimensions of a death (these booby-trapped with forms and documentations). Paul Stephenson brings all the tender mechanisms of language to sustain the weight of grief: this is an extraordinarily moving and accomplished collection which I know will command the attention it so richly warrants.‘ Penelope Shuttle

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My Monarch

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Previously published in Atrium
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St. Pancras

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Previously published in Atrium
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Hard Drive

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Previously published in Irisi
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Humorous Elbowings

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Previously published in Bad Lilies
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Paul Stephenson studied modern languages and linguistics then European studies. He has published three pamphlets: Those People (Smith/Doorstop, 2015), which won the Poetry Business pamphlet competition; The Days that Followed Paris (HappenStance, 2016), written after the November 2015 terrorist attacks; and Selfie with Waterlilies (Paper Swans Press, 2017). In 2013/14 he took part in theJerwood/Arvon mentoring scheme and the Aldeburgh Eight, before completing an MA in Creative Writing (Poetry) with the Manchester Writing School. In 2018 he co-edited the ‘Europe’ issue of Magma (70) and currently co-curates Poetry in Aldeburgh. He is a university teacher and researcher, and lives between Cambridge and Brussels. Social media: @stephenson_pj (twitter) @paulstep456 (insta) paulstep.com (website) https://www.facebook.com/paul.stephenson.7906/
Copies of Hard Drive are available to purchase from the Carcanet website.
St. Pancras

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Paul Stephenson has three pamphlets including Selfie with Waterlilies (Paper Swans Press, 2017). He co-curates Poetry in Aldeburgh and lives between Cambridge and Brussels. His debut collection will be published with Carcanet in 2023. Website: paulstep.com / twitter: @stephenson_pj / instagram: paulstep456
Mistake
Gone one on leaving.
We went for lunch.
Some random Mexican.
No idea how we managed
refried beans and guacamole.
She’d wanted to see him,
come over to see him,
so I took her to see him.
It had been a fortnight
since I’d first seen him.
Wish I hadn’t arranged it.
Wish we hadn’t gone.
She was in a state and I was
horrified by time,
what two weeks could do.
We talked and we ate.
Even talked about other things.
Then we paid the bill,
and she took the bus
and I took the Tube.
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Paul Stephenson has three pamphlets including Selfie with Waterlilies (Paper Swans Press, 2017). He co-curates Poetry in Aldeburgh and lives between Cambridge and Brussels. His debut collection will be published with Carcanet in 2023. Website: paulstep.com / twitter: @stephenson_pj / instagram: paulstep456
Desk
after Tusiata Avia
Ask the god to tidy your drawer
neat enough that your life is in order
Ask it to arrange you
Ask it to sort you out
Ruler, stapler
Hole punch, glue
Ask it to stick things back together
Ask it to fasten your days
Ask the god for right angles
Ask the god for the right angles
Make it straighten stuff
Make it equally measure
Then put your life away
Then close your life
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Paul Stephenson was a Jerwood/Arvon mentee. He has published three pamphlets: Those People (Smith/Doorstop), The Days that Followed Paris (HappenStance) and Selfie with Waterlilies (Paper Swans Press) and his debut collection is due next year. He co-curates Poetry in Aldeburgh and lives between Cambridge and Brussels.