Sophia is Out of My League – Gram Joel Davies

Sophia is Out of My League

I arrived at university but found
the glass had someone’s lips on the brim.

The wine-list was unreachable.
I smuggled the crystal-ware home

and tried to fit a kiss
where she had been.

Although I eavesdrop on tables
I can’t ask her back for discourse.

My shelves have dusty techno
and Dungeons & Dragons figurines.

I should have turned my body
through the sharpener

not learned to hold smoke.
Asthmatic exhalations

rehash my parents’
rejection of right-to-buy.

I turn to say something with shreds
of last year’s set text in my teeth.


Gram Joel Davies is a poet in Devon. His collection Bolt Down This Earth (V. Press) was publihsed in 2017. It’s been a while, but he is getting back into writing after training as a counsellor. A recent poem in The Moth marked his return.

everything – Julia Webb


Julia Webb is a writer, poetry mentor/tutor and editor, based in Norwich. Her third collection The Telling was published by Nine Arches Press in May 2022. She is steering editor for Lighthouse – a journal for new writers.

Still Daughter – Sophia Argyris

Still Daughter

My grandmother made things from silver and wool,
made biscuits from flour and peanut butter.

My mother made things from clay and glass, 
from eggs and aubergines, from almonds and words.

I am watching the approaching winter,
growing seedlings at the end of summer,

walking barefoot in the woods, cutting
my feet on twigs and sharp matter

trying to make something from air and water
from rhythms and seasons,

from mornings and evenings, from being a woman, 
still being a daughter.

Sophia Argyris grew up mainly in Scotland and now lives in Oxfordshire. Her poetry has been published in various places including Magma, Prole, Structo and Under the Radar, and is forthcoming in 7th Quarry in 2023. Her short collection “How Do the Parakeets Stay Green?” was published by Indigo Dreams Publishing in 2014.

Coleraine – Gill Barr



12th June 1973

Daddy is home from work
but something very bad
has happened. A bomb
in Coleraine. It was close.
People are dead. The blast
blew his whole car around
the corner. His back wind
-screen burst intact out of
its fitting, ended up in the car.

A policeman said: You should be dead.


23rd January 2022

We are watching a Sunday night drama
that begins with a bomb. My father says
That’s not entertainment

and starts talking about Coleraine, the story I know
about the car blown round the corner, the policeman
saying You should be dead but he goes further,

tells how he stepped out of his car that day.
It was just like that he says nodding at the television,
the dust, the devastation. People were just lying there,

one old woman, they were collecting her up,
putting her in an ambulance. I saw her glasses
amongst the debris. I picked them up,

gave them to the policewoman.
It was just like that, the dust,
the devastation.

Gill Barr’s poems have appeared in Bad LiliesThe Honest Ulsterman and The New European. She holds an MA in Creative Writing from Queen’s University, Belfast and appeared at the Ledbury Poetry Festival in July 2022.

Exhumation for the Purposes of Quantifying Love/Not Love – KE Morash

Exhumation for the Purposes of Quantifying Love/Not Love

On the anniversary I dig up your spleen
intact; the worms refused it
but not your heart

My spade separates body from organ
I hold it in hand; you glisten
like gristle in the 4.30 glow

Lighter than anticipated; I weigh
up where you held me and find the density
collapsing into an empty centre

The unwrapping is mine; the song at last too I
peel your tissue and sing, and sing and pass
from hand to hand, hoping when I stop

there will be a sharp red pebble cutting into the flesh
secretly deposited when you were feeling a bit drunk
examining a copied photograph

your arms an orbit around me
my arms hugging a bowl the bowl
containing strawberries that made my guts heave.

There is earth and offal staining my palms
as you unravel in my lap:
rancid swaddling cloth for your child’s children.

No prizes

KE Morash is a playwright and poet. Her writing has received prizes and been published in Spelt, Ink, Sweat & Tears, Songs of Love & Strength; Live Canon Anthology 2019 and 2018; Room; Understorey; Literary Mama; Sentinel Literary Quarterly; Bare Fiction; amongst others. 

The Watcher – Helen Ivory

The Watcher

She walks backwards into the sea;
shingle gives ingress to her feet
before removing any word of her.

At her shoulder a scrappy halfmoon
of grey seals pause their morning hunt
to study this rum spectacle.

Her cotton shift loses a little pigment
day-by-day, so the dark blooms
are an unreadable cloud below the surface.

From the cliffs, you can see her, if you wish it.
And when the wind drops just enough,
seal-song will act like a balm.

Go to her now, she will send back your dead,
salvage your bedazzling treasures.
She can feel you are heartsore.

Helen Ivory is a poet and visual artist.  Her fifth Bloodaxe collection is The Anatomical Venus (2019). She is an editor for IS&T and teaches creative writing online for the UEA/NCW. Her New and Selected will appear from MadHat (US) later this year.  

My mother contracts streptococcus as a child – Fiona Cartwright

My mother contracts streptococcus as a child

Fiona Cartwright (Twitter @sciencegirl73) is a poet and conservation scientist. Her poems have appeared in various magazines, including Magma, Mslexia, Under the Radar, Interpreter’s House and Atrium. Her debut pamphlet, Whalelight, was published by Dempsey and Windle in 2019 (Fiona Cartwright).