I love you, Mum (& hip-hop)
As the tune started,
and ‘Fuck all you hoes’ rang out
in the English seafront apartment,
my mother turned to me on her 66th birthday
and remarked slowly, solemnly,
I haven’t listened to Biggie in a long time.
Not since I made mix CDs for the drive to school,
to my first teenage parties, or to the shop
for her to buy me beers with an air of muted pride.
She never liked the songs
I expected her to. Aphex Twin, then UB40; she confounded,
daughter of a miner
who made a living curating
portraits, framing them for an audience. I noticed early
that Mum had a spectrum of accents, registers;
Didcot is simply ghastly she’d declare, We live on the outer
brink of civilisation; but later that posh prat
doesn’t know his arse from his elbow.
After school my task was to feed the pigeons; doves,
she called them. An entire society of them
lived on the garage (guhraj?), settled
by the promise of a twice daily feed.
I stepped like an astronaut bearing birdseed
into a vortex of uncertain feathers,
cursing her, loving her. We only know our parents
by accident, then by sustenance.
I thought there would be other songs,
that there must have been other ones; but
I can’t remember any. ‘Juicy’ is ours now, absurdly.
Guy Elston lives on the Wirral and is completing an MA. His poetry has recently been included by Indigo Dreams Publishing, Burning House Press, Anthropocene and others.