Rat Dissection – Beth Davies

Rat Dissection

She is crucified against cardboard
with stomach cruelly exposed.
I am surprised how easy it is
to cut through skin. I try not
to think about the vulnerability
of my own pale flesh.

The intricate mess glistens beneath.
Intestine, liver, stomach, kidney,
spleen… Not neatly arranged
like textbook diagrams. The scent
of death fills me, threatening to empty me out.
Is this how we would smell? I am lucky
not to know the answer.

Exposed insides reveal
harsh simplicity. The guts are
only a tangle of tubes, the brain
a lump of cells, the heart
a bag of muscle. I cannot find
the signs of how she moved,
how she thought,
or how she felt.

In the end
there is only meat.

 

Beth Davies is a poet from Sheffield, studying at Durham. She is the editor of The Gentian journal and part of Durham University Slam Team. Her work has appeared in Pulp Poets Press, The Kindling, PUSH and multiple anthologies.

Fockynggrove – Deborah Harvey

Fockynggrove
 
The artist who exhibited a seven-foot black velvet cock
in the gents’ toilets at the junction of Park Row
and Woodland Road

and the not yet ex-husband, his knickerless mistress
fogging the lift’s mirrored walls
in the multi-storey car park

and the scrag cuts and mullets in double denim
all exploratory hands and tentative tongues
round the back of the ice rink

never knew that the ground beneath their feet
this hill rising up under tarmac was once called
Fockynggrove

but the bay trees pot-bound in terracotta
valerian seeded in cracks in walls
the buddleia thrusting through gaps in railings

feel the pulsing through their roots
the longing for stories to tell themselves
recreate old echoes.

 

Deborah Harvey’s poems have been widely published and broadcast on Radio 4’s Poetry Please. Her four collections are published by Indigo Dreams, the most recent being The Shadow Factory (2019). She is co-director of The Leaping Word poetry consultancy.

 

 

 

Possum – Oormila Vijayakrishnan Prahlad

Possum
for Aiden

he’s back
from his day long tour
with the school band
he takes a warm shower
and rests his tired head
in my lap
snoozing
I watch his eyelids tremble
a powder of moss
the telltale wisps
of fine down
quivering above
his eleven year old lip

still my baby for now
nestled against me
hands like possum paws
cottony pink
cupped in mine
like they used to curl
in the pads of my palms
at one, at four
at seven

I want to shift my leg
relieve the discomfort
of pins and needles
but I don’t want to wake him
lest he shuffle away
displace the completeness
of this moment
because
if the sixth grade mums
are to be believed
I cannot be sure
that back from band tour
he will still want
the warmth of my lap
next year.

 

Oormila Vijayakrishnan Prahlad is a Australian artist, poet, and pianist of Indian heritage. She’s a member of the North Shore Poetry Project and Authora Australis. Her works have been published in several literary journals in Australia, US, and the UK.

 

 

 

 

Self Guidance – Robin Lindsay Wilson

Self Guidance

fold your arms
on the desk
rest your head
and go to sleep

dream yourself clever
dream yourself good

dream yourself grown up
remembering this day
of shocks and tears
and bright red cheeks
this friendless day

when you waited it out
then looked at the sun

because it was forbidden
because it was impossible
because it was an idea
smiling and obvious

smiles will blind you
but ideas can heal

 

Robin is a lecturer in Acting and Performance at Queen Margaret University, Edinburgh. He has had work published in many UK literary journals and poetry magazines, including – Magma, Iota, The Rialto, South, Other Poetry, Dream Catcher, The Interpreter’s House, Brittle Star, The Edinburgh Review, Chapman and Envoi. He has had three collections of poetry published by Cinnamon Press, Wales. The titles are – ‘Ready Made Bouquets’ (2007), ‘Myself and Other Strangers’ (2015) and ‘Backstage in Paradise’ (2019).

Cohabitat – Hilary Watson

Cohabitat

The flat below is rented out to angels
who pass us in the hallway, quickstep
down the stairs to fetch up wine crates
overfilled with books: The Cuckoo’s Egg,
Critical Path, The Unseen Hand. They shift
furniture at night, slap each other’s flesh,
whistling the kettle, guffaw like riled chimps
at Friends. Their incense haunts the corridor
with feathers lost from duvets until the call
to move again. We’ll force the lock to check
for char or shrine or scrap or monument.

 

Hilary Watson lives in S Wales. She has recently been published in The Interpreter’s House, Butcher’s Dog, Impossible Archetype and The Emma Press Anthology of Contemporary Gothic Verse. She loves dogs & beautiful bookshops @poetryhilary http://www.hilarywatson.co.uk

 

 

Featured Publication – apple, fallen by Olga Dermott-Bond

Our featured publication for May is apple, fallen by Olga Dermott-Bond, published by Against the Grain Poetry Press.

Olga Dermott- Bond’s superb poems make their way towards searing emotion via craft,
detailed observation and a kind of glittering acceptance that the world we have is the world we must write about and the job of the poet is to make art from the flawed things around us. These poems reward rereading and hang around in your mind, delivering phrases and lines back at you at unexpected times that turn out to be the times you need them most.’ Ian McMillan
Vivid and Powerful‘ Ana Sampson McLaughlin
olga5

 

apple, fallen

Her smile is waxed water, curved perfect and full.
Sleeping in grass-hush, she fits herself perfectly,
a wise moon dressed only in pearled skin and sugar.
She is open as a lake, offering a steady reflection to
gospelled branches above that sway love-heavy,
growing with all of her hope-laden daughters –

her smashed skull is a restless shattered crawling
of ferment, made only of wasps that cling to shrinking
edges. she is a cave of black static, her crabbed body
hollowed beyond blood. a boat silenced with dry land,
she has sunk her own tongue, devoured her eyes, cheeks,
swallowed the blameless sun. there is only this place –

………………………….turn me over before you ask how I am.

 

Toaster

Each Sunday morning
the bread would often get stuck
or launch itself high

across the kitchen
where dad would catch it, juggling
each flapping bird with

blackened wings. His dance
made us laugh. Tea, marmalade,
homemade jam, honey –

again and again
we would wait for its metalled
cough, to watch salmon

leaping through currents
of sun. I ate six slices
one weekend, enthralled

with how happiness
was the colour of butter,
best eaten hot. Toast.

I believed I could
save each tiny crumb of you,
thinking aged just four

that every Sunday
would stay like this, love landing
soft, the right way up.

Previously published in Ten Poems about Breakfast (Candlestick Press)

 

……………..Fionn courts Oonagh

……………..Harebell

The first time he came to see her after work
it had rained a misery of tales all day,
her mother’s kitchen shrunk, shrivelled at the thought
……………………………………………………………………..……of a visitor

his shoulders sleeping boats anchored deep beneath
an old raincoat, scarcely covering shyness
that she wanted to undress, mind skittering
………………………………………………..…like a leveret –

her book-learning left far from this equation,
cleverness something she was used to hiding,
conjugating verbs a witch’s trick she could
………………………………………perform in her sleep.

Daylight chased from the doorway he ducked under
she stood as sudden moonlight, wondering if
he would sweep all the plates of the table, lift
………………………………………….it clean with one hand –

instead he took harebells from his pocket,
purple-slight flowers, brimming with wet-hedge smell,
held them outstretched, their modest heads trembling wild,
………………………………………………………………..…..a beautiful storm.

previously featured in the Bedtime Stories For The End Of The World podcast

 

Hagoshii

The Navajo people have a word for bringing a conversation to a close. Hagoshii. It was the women, the gatherers, who first made pots; mothers who believed they had already passed through three worlds, trusting the wet clay of this glittering one with their wet fingers, feeling the weight of something hollow and useful taking new form. I wish we had shared this word, wish that I hadn’t interpreted your silence, delays and polite replies as a vessel to drink from. I wish I had known you had buried me like a thirsty fragment, because I was still carrying you sacred as air and fire and light, making sculptures of what I thought we could be with my clumsy hands. I handle our last meeting like a fired relic, searching for symbols. I wish I had learnt the shape of acceptance, of what cannot change through time. Hagoshii. It is finished.

 

Olga is originally from Northern Ireland. A former Warwick Poet Laureate, she has had poetry and flash fiction published in a range of magazines including Rattle Magazine, Dodging the Rain, Magma, Strix, Cordite Review, Under the Radar, Ink, Sweat and Tears, The Interpreter’s House and Paper Swans. She was the winner of the 2019 BBC Proms poetry competition, is a commissioned artist for Coventry City of Culture 2021 and last year was selected as one of the emerging poets for the podcast Bedtime Stories for the End of the World. She is an assistant headteacher in a secondary school and has two daughters. apple, fallen is her debut poetry pamphlet.

apple, fallen is available to purchase from the Against the Grain Poetry Press website.

morning person – Tanner

morning person

I get up before the alarm
to have the first piss
but the moment I open the bedroom door
our cat wails long and high like a train whistle,
blocking my way until I feed her
and as I’m kneeling over her bowl in my boxers,
squeezing meat jelly out of the packet,
my wife skirts around us,
beating me to the bathroom

every morning they trick me, these two
and as I sit on the cold kitchen floor
filled with piss
listening to my wife piss
watching the cat lick jelly
I AM FILLED WITH ENOUGH PISS AND LOVE
TO DROWN AND BURN YOU ALL

but then I have to go out and meet you all
and I chicken out:
I want to live to see another morning
of these two and their tricks.

 

Tanner is from Liverpool. His latest collection, ‘Shop Talk: Poems For Shop Workers’ is published by Penniless Press

An Inspection – Karen Little (kazvina)

An Inspection

The landlord turns up early, doesn’t appreciate my attempts with
vinegar and baking powder. Hangover life is relatively rosy,
though sometimes it must be erased, or smudged at least.

I fake strength I don’t possess so enemies can’t bump me off—
a thousand pins suspend me between completion and destruction—
my aspirations are abandoned buildings. Stripped, I feel like

a potential champ knocked out by illness— a crawling
heart letting the rain pour in. We all give way sometimes,
ache at times—fail to ripen. With everything uncertain, I tip

back and forth between faith and doubt, a visual hug, a vexed
form. In the end, the landlord decides he’ll leave me to it.

 

Karen Little (kazvina) has exhibited her art internationally, and is widely published as a writer in the UK and further afield. Her latest publication is the illustrated pamphlet, Dissecting an Artist (2019) with The Black Light Engine Room Press.

We Lose the South – Lynn Valentine

We Lose the South

in a gaggle of road-weary cyclists,
posing for photos at the top of the land.

Ahead lie rumbling currents, dark feathers
of wind gathering foot passengers in.

The crossing is short, fulmars follow the roll
of the boat, the grey keening of sea.

Set down, we see butter-rich fields, countless
stout cows the colour of darkest cream.

We stroll on beaches as tides suck at gaps
in conversation, shells are picked like strawberries.

Midnight stumbles in with hardly a change
in the air. We sit, punch-drunk on light.

 

Lynn Valentine writes between dog walks on the Black Isle in the Scottish Highlands. She is widely published, both in print and online. She has won and been placed in competitions. Lynn won a place on the Cinnamon Press mentoring scheme and in 2020 will be mentored by them, working towards her first poetry collection.

Fox – Kitty Coles

Fox

The town’s dark and those within are dark
and I move through it in a fox’s form,
a being of the dark, the under-earth,
my nails click-clicking lightly on the tarmac,
the breath of trees still purling through my fur.

I press my way through shadows,
scrunched cans, torn paper, nose to the ground,
ears shivering to the shifts of sleepers
who twist in their dreams like netted fish.
My eyes reflect the light, its faltering gleams.

 

Kitty Coles’ debut pamphlet, Seal Wife (2017), was joint winner of the Indigo Dreams Pamphlet Prize. Her first collection, Visiting Hours, will be published in 2020 by The High Window. www.kittyrcoles.com