Mindstrap – Hannah Linden

Mindstrap

Don’t be mard, she’d say.
You’d reckon she meant mardy:
spoilt or irritable

but she meant soft
inadequate, a weaklin.

She ated children
blatherin, cringin.
Physical pain were
a deformity
and we were marred by it
by default.

She were clever like that –
she could take summat ugly
an ide it in Lancastrian
like Everyone felt the same
round ere – like all o words
conspired against us
a mindstrap for
frangin, maitherin kids.

It’s not fair – it’s leather
a menacing wink, a chuckle.
Don’t be mard: future’s hard
always one step’s too loose –
spare the rod and th’as sprung the noose.

Either way we were marred by it
by default. She were clever like that.

 

[ed. ‘fair’ in Lancs pronounced ‘fur’]

Hannah Linden is published widely, most recently with Magma, Lighthouse, The Interpreter’s House, Domestic Cherry and the Humanagerie Anthology, as well as on several online webzines. She is working towards her first collection. Twitter: @hannahl1n

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Evolution – Hannah Linden

Evolution

There, tears come
but not for the past.

Cry for the future
because what else
are eyes for in this world?

………..We apologise but must interrupt this poem to mine the next couple of
………..stanzas for a poem on climate change. They were the strongest verses
………..and this poem may seem empty as a result but we can only apologise
………..and hope you got your basic needs met. We hope you will agree that
………..poems on climate change must take precedence in these troubled
………..times. Please feel free to insert a couple of verses from a poet of your
………..choice to fill the gap. Please try Google for possible alternatives.

Someone talks on the radio
about a new theory of how
humans developed,
not,

climbing down from the trees
to hunt, but wading into water,
waist-deep, needing to stand
two-footed, tall, dipping down
for molluscs and sea-cucumbers,
needing to shed their fur coats
and maybe,

there was a whoop when all that weight
of the still-full world could lay itself
down and be carried by water.

 

Hannah Linden is published widely, most recently with Magma, Lighthouse, The Interpreter’s House, Domestic Cherry and the Humanagerie Anthology, as well as on several online webzines. She is working towards her first collection. Twitter: @hannahl1n